THE VOICE CONNECTION
SOUND OFF

Welcome to The Voice Connection Sound Off; a forum for users of books like Raise Your Voice, Melody to Madness, The Ultimate Breathing Workout, and Unleash Your Creative Mindset, as well as a place for Vendera Vocal Academy members to interact.

This message board was created so that singers could come together and "sound off" to help support each other during vocal development and the creative process of unleashing the creative spark that occurs when writing and producing music. Currently, myself and vocal coaches Ben Valen, Ray West, and Ryan Wall are here to respond periodicially to your questions, with new vocal coaches coming soon. But, feel free to help each other too:)

This board is here for you to ask questions about my and my fellow coach's books, videos, and MP3 programs, as well as offer others help with our vocal techniques. You may also post videos of yourself and your band to share your music and ask for critiques.

Please refrain from negative comments, profanities, spamming, and inappropriate criticisms of vocal methodologies, vocal coaches, and singers. All negative posts will be deleted and subject to banning without question. I will not respond to negative posts, because, as Mark Twain once said, “Never argue with stupid people, they will drag you down to their level and then beat you with experience.” With that said, positive criticism is welcome because that is how you'll grow as a singer during the training process.


The Voice Connection - Sound Off
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Re: falsetto/headvoice

Im not familiar with Chris Cornell's technique but I know Bach's vocal background and training. His main vocal teacher was Don Lawrence in NYC of whom Tony Harnell also worked with. I took a few lessons from him as well but he just didnt click for me. At any rate, Bach uses the resonance sensations to guide his tone and really puts the tone in the mask making sure that the front of the face vibrates just like Jaime says. He thins out the tone a lot but it is full voice or, if not, like really heavy mix which, sometimes, I cant even tell aprat in myself. At any rate, he then adds the rasp to the tone which makes it sound alot heavier and meatier I think. Melissa Cross calls this technique "Heat" and it is covered to some extent on her DVD, "The Zen of Scremaing", and in much greater depth on her supplemental CD, "Scream Extra". BTW, I freakin' luv Bach! "Wasted Tine" - holy shit. Nuff said. ;)

Yours In Music,
Denis J. Lanza
Tenor Metal Vocalist
http://www.myspace.com/denisjlanza

Re: falsetto/headvoice

Amen!

Re: falsetto/headvoice

hi, thanks to all whos helping me, im sorry for all the questions. when people say mixed voice is that adding as much low end of your voice to your high tone without exerting your vocal chords?, or on the high tones more air power=fuller voice. im about to throw vocals on my song 'glory' at http://www.audiostreet.net/artist.aspx?artistid=35064
im ready to rock lol

Re: falsetto/headvoice

Mixed is the chest voice mixed with head voice.
Roger Love has a great book and CD called ... Oh crap! What's it called?? Oh yeah, "Set Your Voice Free" which has good excercises for achieving that mix. Jaime's book (OF COURSE!!) also has that stuff. Roger Love also has a dvd that I rented from Netflix that, while it was presented kind of lamely, had some good exercises on it for this. Seth Riggs, Roger Love, and others really preach about the mixed voice. I think it's very cool and Bach uses it, Augeri uses it, most singers of any range use it.