THE VOICE CONNECTION
SOUND OFF

Welcome to The Voice Connection Sound Off; a forum for users of books like Raise Your Voice, Melody to Madness, The Ultimate Breathing Workout, and Unleash Your Creative Mindset, as well as a place for Vendera Vocal Academy members to interact.

This message board was created so that singers could come together and "sound off" to help support each other during vocal development and the creative process of unleashing the creative spark that occurs when writing and producing music. Currently, myself and vocal coaches Ben Valen, Ray West, and Ryan Wall are here to respond periodicially to your questions, with new vocal coaches coming soon. But, feel free to help each other too:)

This board is here for you to ask questions about my and my fellow coach's books, videos, and MP3 programs, as well as offer others help with our vocal techniques. You may also post videos of yourself and your band to share your music and ask for critiques.

Please refrain from negative comments, profanities, spamming, and inappropriate criticisms of vocal methodologies, vocal coaches, and singers. All negative posts will be deleted and subject to banning without question. I will not respond to negative posts, because, as Mark Twain once said, “Never argue with stupid people, they will drag you down to their level and then beat you with experience.” With that said, positive criticism is welcome because that is how you'll grow as a singer during the training process.


The Voice Connection - Sound Off
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Re: Vocal Power Question

Should I allow my voice to break into falsetto on the higher notes and work on a smooth transition from full voice to falsetto (no break) or should I just focus on notes I can hit in full voice? It's been so long since I watched the vhs tape and I don't remember if this point is addressed on there.

Hi Jason , first of all , if you do the exercises and your voice breaks into falsetto every time you will smooth that break but it wont increase your range. You need to go full voice all the way if you want the power and the range. The 'vocal break' is just a place where the voice switches gear. The key thing to remember is that the tone of the voice should be focused in the palate and fully supported with the diaphragm. Get Jaime's book and listen to the audiofiles. When Jim says 'the head voice' in the video what he means is where the tone of his voice is placed , aka in the soft palate. Focus on the resonance and you are good to go.

Re: Vocal Power Question

go full voice as high as you can without straining then do the rest in a lighter voice, as it gets higher and higher and gets harder do it lighter and quieter and get it smooth, as you come back downscale get back into a louder full voice. when your in a falsetto try and connect it back down into chest as soon as you can, don't drag the falsetto all the way down.

Re: Vocal Power Question

Thanks for the advice guys...that sounds like the way to go.

Re: Vocal Power Question

Hey guys, Jim has officially appointed me over his exercises. Don't go lighter. Stay full voice all the way. When you start to strain you are done with that scale. Jim and I are working on something neat for Vocal Power which will be out this year that will really help with.the scales;)

Re: Vocal Power Question

Jaime vendera
Hey guys, Jim has officially appointed me over his exercises. Don't go lighter. Stay full voice all the way. When you start to strain you are done with that scale. Jim and I are working on something neat for Vocal Power which will be out this year that will really help with.the scales;)
Thanks for the answer Jamie. I was wondering this too!

Re: Vocal Power Question

Thanks Jaime! No more falsetto for me (at least for Vocal Power haha)!